Michael Dare, Composer, Writer, Renaissance Man
Robert F Mullen, PhD
Director/ReChanneling
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In 1984, Bob Woodward, Pulitzer Prize winner and co-author of All the President’s Men, published a poorly received biography of the events leading to John Belushi’s death, titled Wired. The Life & Fast Times of John Belushi. One of the book’s interviews was with Captain Preemo, Belushi’s pharmaceutical’s dealer, among a cadre of other stars, including Dan Akroyd, musicians, movie producers, and executives.
Because he dealt in recreational drugs, Captain Preemo was not the supplier who contributed to Belushi’s death from a speedball (cocaine and heroin). However, he was eventually arrested and faced years in prison for possession of pharmaceuticals.
Ironically, when the prosecution presented its evidence, it proved inadmissible. Investigators discovered his secret stash when they heard a noise, opened the storage cubicle, and found Captain Preemo’s cat. Illegal search and seizure.
I knew Captain Preemo as Michael Dare, a friend, film reviewer, writer for the L.A. Free Press, and music collaborator on a play based on my story and lyrics, titled Ward 22.
This was all before Belushi knocked on his door and Michael became Captain Preemo, the pharmaceutical “drug dealer to the stars.”
I had already seen two of my plays produced in equity-waiver theaters in LA. Equity-waiver meant the unions allowed new productions to premiere in theaters with fewer than 99 seats without requiring payment to the performers, choreographers, and musicians.
The best description of Ward 22 was that it was a prospective musical with vague overtones to One Flew Over the Cuckoo’s Nest.
My one play and single musical had received mostly positive reviews, though my cognitively distorted thinking fixated on the less supportive criticisms. Polarized thinking compelled me to view my work as either uncompromisingly good or bad, with no middle ground. Filtering encourages those of us experiencing social anxiety to focus on the negative aspects of a situation, ignoring the positive.
Social anxiety disorder is self-sabotaging and manipulative.
Michael and I decided Ward 22 would be a rock musical. This was after Hair’s phenomenal rise but before Jesus Christ Superstar, Godspell, and The Who’s Tommy. We were ahead of the curve.
Unfortunately, it was during the heyday of my social anxiety disorder and my irrational demand for unattainable perfectionism. Any rejection or skepticism was a dagger to my creativity.
Still, we found a producer who hired Glen Holse, an infamous stage designer, to create a mock-up of the set. Among other things, Glen designed Jayne Mansfield’s Pink Palace on Sunset Boulevard. He also introduced me to Star Trek’s Nichelle Nichols, who was a kind and generous soul as opposed to others in the cast.
We recorded Ward 22 in Gordon Jenkins’ small but professionally equipped studio on the beach. Gordon Hill Jenkins was an American composer, arranger, conductor, and pianist whose lush string orchestrations shaped popular music from the 1940s to the 1970s.
Jenkins rose from St. Louis radio to become musical director at Decca Records, collaborating with stars including Frank Sinatra, Nat King Cole, Billie Holiday, Judy Garland, and The Weavers. He won a Grammy for “It Was a Very Good Year” in 1966 and was inducted into the Songwriters Hall of Fame.
Gordon was a kind man who did not appreciate this new genre of musicals but was open-minded enough to accept our endeavor without fully supporting it.
We premiered Ward 22‘s songs at a party at Jerome Lawrence‘s Malibu home.
Jerry was the American playwright, author, and broadcasting pioneer best known for his prolific collaboration with Robert E. Lee. Together, they created enduring works such as Inherit the Wind, Auntie Mame, and The Night Thoreau Spent in Jail, often exploring themes of intellectual freedom, individual dignity, and resistance to censorship.
A co-founder of the Armed Forces Radio Service and the American Playwrights Theatre, Jerry earned numerous honors, including the Donaldson Award, two Peabody Awards, and induction into the National Theatre Hall of Fame. He also taught at major universities and authored the biography Actor: The Life and Times of Paul Muni.
Our audience that afternoon consisted of multiple theater-savvy gay men whose idea of a musical ranged from Hello, Dolly! to Fiddler on the Roof to Cabaret. While they didn’t run screaming from the room, their lack of enthusiasm for a rock musical was evident. I left the event devastated, my social anxiety in full flourish.
The gist of it was that Michael and I had all the opportunities to get Ward 22 staged, but my social anxiety would have none of it.
I moved to San Francisco, one less musical under my belt. John Belushi found Captain Preemo, and Bob Woodward immortalized him in his book.
A few years later, I returned to university and became a specialist in recovery from social anxiety and a pioneer in the benefits of proactive neuroplasticity to change our neural network from self-sabotaging to positive and life-affirming.
“When one door closes, another door opens.” – Alexander Graham Bell.
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A Survivor’s Common Sense Approach to Recovery from Social Anxiety
(Kindle: $9.99; softcover $16.99; hardcover $26.99.) Amazon
“This is one of the best books I’ve read about social anxiety disorder and how to recover from it.” P.J. Gudka, author of Perfect and All the Words I Kept Inside.
To contribute to reader reviews on Amazon, you must have spent at least $50 on Amazon.com using a valid credit or debit card in the past 12 months.
If you don’t have a Kindle and find the $16.99 price of the paperback out of reach, the publisher allows us to email a copy of the book to anyone willing to post a review. Contact me at rmullenphd@gmail.com, and I will gladly send you a copy.
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BOOK REVIEW
Wired. The Short Life and Fast Times of John Belushi
by Bob Woodward
This book has been reviewed ad infinitum, but I have a personal reason for my critique. Captain Preemo, aka Michael Dare, was labeled the drug dealer to the stars, yet I knew him as a writer, musician, and collaborator. He may have supplied Belushi and others with what was common and recreational during the late-20th-century excesses, but he was not responsible for John’s death. Woodward’s book is a dry, unfeeling encapsulation of the days leading up to the tragedy. Drawing on 217 interviews, Bob Woodward ably describes Belushi’s drive and excess but completely overlooks his talent, humor, and humanity.
Repudiated by Belushi’s wife, Dan Ackroyd, Bill Murray, biographer Tanner Colby, and many of the 217 people Woodward interviewed, the book fails to convey Belushi’s warmth, caring, and energy. Kirkus Reviews called the book a “dreary, empty chronicle” that was “dankly depressing, morbidly detailed.” Wired is an extremely well-researched yet joyless death biography that could be about anyone in the entertainment industry with a death-inducing addiction.
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Other Recommended Books from Clients and Subscribers (add yours)
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ReChanneling develops and implements programs to (1) reduce symptoms of social anxiety and related conditions and (2) pursue personal goals and objectives — harnessing our natural ability for extraordinary living. Our core approach focuses on personality through empathy, collaboration, and program integration, using neuroscience and psychology, including proactive neuroplasticity, cognitive-behavioral therapy, positive psychology, and techniques to rebuild self-esteem. All donations go toward scholarships for groups and workshops.
INDIVIDUAL RECOVERY. The symptoms of social anxiety make it challenging for some to participate in a collective workshop. Dr. Mullen works one-on-one with a select group of individuals uneasy in a group setting. ReChanneling offers scholarships to accommodate the costs. What is absent in group activities is provided in our monthly Graduate Recovery Group. In this supportive community, graduates interact with others who have completed the program. Contact ‘rmullenphd@gmail.com’.

































